I, Pet Goat II, Interpreted

The above short film has enough imagery and air of conspiracy to help people today understand more or less the effect that comparable documents like the Book of Revelation would have had in their day, except that the imagery is relevant to our generation.

It's a very well made film by Heliofant (whose name means The Shower of the Mysteries of the Sun, or of Light), which is a Canadian company.  I am reminded of the fact that Adbusters, the activist publication that kickstarted the Occupy movement, is also a Canadian publication.

The title of the film refers to a pet goat, and in my view represents the idea of the scapegoat, an innocent sacrificial animal on whom all the sins of others are transfered and who is sacrificed in order to pay for the sins of others.  It's interesting to note that sacrificial animals (and humans) were oftentimes sedated by their murderous priests in order to facilitate their immolation.

Some of my interpretation for the imagery is as follows:

An obscure puppet-master pulls the strings on US Presidents.

In the first scene, there are black and white tiles on the floor.  This is Masonic imagery.  President Bush is in a classroom, just as he was when 9-11 happened.  Behind them, there is a symbol of the Owl, which represents secret elite societies, in particular Bohemian Grove, to which President Bush has been linked.  We will see another symbol for a secret society, Skull and Bones, later in the film.

The map of the US has pins wherever there have been recent disasters, which proved much sinister when the weight of the presidential response to them was added: Katrina, the BP oil spill, 9-11.

A snow flake, perhaps code for the Sionist six-pointed star, also is represented.  We know that some of the wealthiest donors (or purchasers of his services, if you prefer to see it that way) of the current President are Sionists.

We also see a reference to evolution and a hanging figure -the possibility of failure to evolve- and we see a shark and a house burning down, most likely a reference to the banking cartel (loan sharks) and the mortgage industry collapse.  Just as the loan shark is waiting to prey on the housing collapse, there is a dragon (China) waiting for the split of what looks like two hemispheres of a brain, some speculate this is the two party system in the US.

The letters "F = -F" might indicate that, because the Presidents are puppets, it really does not matter who is in power.  The choice of this letter may be a symbol of failure, or falsehood.

A girl holds an apple, symbol of knowledge, but falls asleep and lets the apple fall at the feet of the President.  The mathematical formula "< C" appears at his feet, which indicates that the girl is smaller than, or less powerful than, the President with whom the letter C is linked.  In mathematics, C stands for calculus, for calculating.  The apple bears the fruit of a lotus flower, a symbol of illumination which appears throughout the entire film. Sweat flows from the brow of the President.

After this, a scene which is obvious reference to the collapse of the twin towers appears with the flying away of an American flag as a preamble.  A dancing clown figure, which is identified as L'enfant Bleu (the Blue Child) on Heliofant's website, commits suicide nearby.  This same figure will dance around a fire later.

We see what the ancient Egyptians would have called the Boat of a Million Years, which carried immortals through the orbits of the heavens.  The jackal head of Anubis, the Way Shower and God of embalming and funerals who showed the way to the West, which was Egypt's idea of the Other-world, leads the barque.  He is the Psychopomp, the Guide of Spirits.

We see a worshipful Osama Bin Laden and his followers under a blood-drench crescent (Islam)... with the symbol for the CIA on him.  We see oil drilling in the background in an icy, dark setting while blood drips on the ocean.  I am reminded not just of the wars for profit, but some of the many other crimes of the military industrial complex, including the oil spill in the Golf of Mexico.

We see Lady Liberty (named Lady Helotry by Heliofant on their webpage) emerging over the Sionist symbol, the Star of David, and its torch falling into the waters.  I am reminded of the Patriot Act, and the continued, sustained attack on our liberties that is being advanced by many in the Jewish lobby including Senator Lieberman who has recently called for emergency measures that would lead to a complete halting of our civil rights in the name of national security.

We see the Wizard, represented by a monitor with an eye, studying humans from before they are born.  His eye looks like a dragon's eye, perhaps a nod to the conspiracy theories about reptilian aliens, but most likely a reference to the draconian and orwellian nature of the Powers that would control humanity.

The heart of the shamanic Christ figure is burning.  The Sacred Heart of Jesus is a traditional symbol of love for humanity.  He appears in a trance.  The Wizard, still operating from within a monitor, has installed himself in the mind of a human child who lays in a state of semi-slumber, mindlessly uttering things, being programmed with Wall Street data and with pills and needles by his side.

We see what appears like an attack on a mosque, surely a reference to wars in the Middle East.  We then see a figure that looks like Mother Mary with Jesus in the Pietà scene, but this is the Mater Dolorosa who mourns and is wearing a black robe.  The Divine Feminine imagery is accentuated also by the fact that she lies on a shell in the waters, just as Aphrodite did when she was born from the foam of the seas.  She may also be a Middle Eastern mother who is crying with her dead child on her lap.  She holds her tears in a vessel from which fire seems to emerge, or a mushroom cloud, clear reference to Muslim retaliatory action.

The child lies in bandages, his eye swollen and bruised, and a beetle or scarab walks around its skin.  This may be a reference to Egypt's revolution, or to the idea of resurrection since the Scarab is a symbol of Khepri, an aspect of Lord Ra in Egyptian spirituality which represents the daily resurrection of the sun.  The child is therefore said to have been reduced to a pile of shit, since Khepri represents the dung beetle which lays its eggs on dung after rolling it into a ball and pushing it into its nest.

Let's not forget that the assumed name of the creators of the film is Heliofant, which is tied to the Egyptian mysteries of the sun.  Heliopolis, in ancient Egypt, was the center of the cult of Khepri or Kheper, whose name means The Becoming.

Add to the list of disturbing images that of a small African boy with tribal symbols on his skin who is carrying a rifle and amunition.  His eyes are red and he carries a lace, which is loosened by a figure that looks Egyptian wearing a Skull and Bones tatoo, which represents death and, of course, the elite fraternity that many Presidents (including Dubya Bush) have been members of, and therefore secret brotherhoods and elite conspiracies.

One interpretation of this lace is that it represents remembrance and that its removal represents forgetfulness. This might be true, but I believe it's likely that this is the AIDS solidarity ribbon, and that the child is an African AIDS orphan who, because of the discontinuity that exists in countries where the entire middle generation was wiped out by the plague, never met his parents and/or was raised without authority figures. These children, particularly when indoctrinated into cults like the Christian terrorist group infamously headed by Kony in Uganda and adjacent countries, can easily be turned into muderous armies.

I am reminded of the American Christian Right's meddling in Africa through abstinence-only sex education under the Bush regime, abstinence-only being a code for Christian indoctrination, which in Uganda led to the Kill the Gays Bill within a decade.  Abstinence-only education also carries with it the belief that AIDS is righteous punishment and that sexuality must be subjected to control by religious institutions.  We see a reference to Christian sexual repression later in the video.

The symbols of communism are buried in toxic waste or mud, along with what appears to be a Latin American worker. An army of tanks marches into a peace protestor wearing a tiger robe who is met by Lord Death.

The Christ figure, in trance, appears to be seeing all these things unfold, as the previously-shown child is accosted by the wizard form within the monitor, acting as a brain parasite.

With fire emerging from his mouth, and ablaze, the Christ figure enters a cave. What seems like a pituitary gland at the center of the brain, is activated and for a moment as he enters the brain-cavity, the Christ and Anubis figures aboard the Boat of a Million years are aligned with it.  This signals activation of the third eye and the beginning of illumination.

We see the Goddess Kali, Mother Time who is also Mother Death (for, as Krishna said in the Bhagavad Gita, Time is swallowing us all), dancing. Kali's dance is associated with a Hindu myth about the destruction of the demon Mahisha.  Whenever Kali performs her dance of destruction, she is frenzied in her duty of killing demons.  Hindus also believe that we are living in the Age of Darkness, the Kali Yuga, and the end of this era precedes the beginning of a new awakening.

Fish leap into the shaman Christ's boat awaiting salvation, but he is in trance and ignores them.  The Age of Pisces is coming to an end.

There is an icy figure lying on the ice with an erect phallus with a cross on top of it. This, of course, represents the church. At the head of the icy phallus-tower lies an elderly woman imprisoned, and looking out from her window as if lovingly awaiting her rescuer or savior who never came.  She is no longer a Princess or a Maiden in her tower but has grown old and is now trapped inside the power structure of the church.

When illumination happens, although she is presumably in menopause, she is shown to have a menstrual cycle, she has life again. As the Christ crosses the river in the inner cavern of consciousness, things are crumbling. Kali dances.

Finally the Christ figure arises from under what seems like an icy army, and crushes it. The monitor that was used by the wizard flees and leaves the hypnotized child free to own his own head.

A whirling dervish figure, representative of the Sufi mystics, rises above the former mosque that had been destroyed.  He rises towards the heavens liberated. He dances as the upward spiral of the double helix of DNA announcing evolution, ascension. The bloody crescent moon that hovered above Osama Bin Laden is now replaced by a full moon.

A dancing figure (the Blue Boy again) around a fire wears the masks of the dragon, the bear and the eagle and his suit has what appears like a star, perhaps a symbol of nuclear fusion, of a nuclear war between China (dragon), Russia (bear) and America (eagle).  At the end of the dance, he regains his humanity.  The dancer might be a shaman, since the imagery deals with transformation into animal symbols.

The Christ figure finally emerges from the cavern out of a portal that is adorned with a devil's icon, perhaps symbolizing that he lacks the innocence that he came in with. Or perhaps symbolizing that he is now resurrect and transformed after having been to Hades.

He opens his eyes to see the sunrise before him and behind him the icy church structure crumbles. The Illuminati symbol of the pyramid is clearly seen on his forehead with the all-seeing eye at the base and not at the apex, as the elite would have it. This indicates the illumination and awakening of the masses of humanity. The Christian era has passed.

The sun rises again and its rays destroy the pyramids, the power structures that have stood until now, and their entire icy world will now melt under its rays.

This Heliofant.com page has a partial explanation of the imagery. Their interpretation of the wizard is as follows:

Drako, The Sorcerer, the unseen hand and spirit of madness seeking ever more control through trickery, lies, poisons, false-flag events, wars, and mountains of beauracratic and legal framework to siphon off the energy of the inhabitants of the earth. He fears the light of day as he fears life itself, and operates in the shadows. His greatest power is his hold on the issuance of the currency.